Sunday, November 26, 2017

Golden Dawn Temple of Hermanubis-as a Hyperstructure in the 5th Dimension Astral Temple

Hyperstructure in the 5th Dimension
Astral Temple of Hermanubis-

...the Astral form of the Temple gradually expands to a 5th dimensional hyperstructure by Netzach / Portal and then is actually used in the 2nd Order of the Temple of Thelema.

are you familiar with this volume by Crowley? supposedly according to a Thelemite it states how to establish a physical temple on a astral level...in the Temple of Thelema: they state: ...the Astral form of the Temple gradually expands to a 5th dimensional hyperstructure by Netzach / Portal and then is actually used in the 2nd Order of the Temple of Thelema.

V 1. Let the student be at rest in one of his prescribed positions, having bathed and robed with the proper decorum. Let the place of working be free from all disturbance, and let the preliminary purifications, banishings and invocations be duly accomplished, and, lastly, let the incense be kindled.
2. Let him imagine his own figure (preferably robed in the proper magical garments and armed with the proper magical weapons) as enveloping his physical body, or standing near to and in front of him.
3. Let him then transfer the seat of his consciousness to that imagined figure; so that it may seem to him that he is seeing with its eyes, and hearing with its ears. This will usually be the great difficulty of the operation.
4. Let him then cause that imagined figure to rise in the air to a great height above the earth.
5. Let him then stop and look about him. (It is sometimes difficult to open the eyes.)
6. Probably he will see figures approaching him, or become conscious of a landscape. Let him speak to such figures, and insist upon being answered, using the proper pentagrams and signs, as previously taught.
7. Let him travel about at will, either with or without guidance from such figure or figures. {27}
8. Let him further employ such special invocations as will cause to appear the particular places he may wish to visit.
9. Let him beware of the thousand subtle attacks and deceptions that he will experience, carefully testing the truth of all with whom he speaks. Thus a hostile being may appear clothed with glory; the appropriate pentagram will in such a case cause him to shrivel or decay.
10. Practice will make the student infinitely wary in these matters.
11. It is usually quite easy to return to the body, but should any difficulty arise, practice (again) will make the imagination fertile. For example, one may create in thought a chariot of fire with white horses, and command the charioteer to drive earthwards. It might be dangerous to go too far, or to stay too long; for fatigue must be avoided. The danger spoken of is that of fainting, or of obsession, or of loss of memory or other mental faculty.
12. Finally, let the student cause his imagined body in which he supposes himself to have been travelling to coincide with the physical, tightening his muscles, drawing in his breath, and putting his forefinger to his lips. Then let him “awake” by a well-defined act of will, and soberly and accurately record his experiences. It may be added that this apparently complicated experiment is perfectly easy to perform. It is best to learn by “travelling” with a person already experienced in the matter. Two or three experiments will suffice to render the student confident and even expert. See also “The Seer”, pp. 295-333.

VI 1. The previous experiment has little value, and leads to few results of importance. But it is susceptible of a development which merges into a form of Dharana — concentration — and as such may lead to the very highest ends. The principal use of the practice in the last chapter is to familiarise the student with every kind of obstacle and every kind of delusion, so that he may be perfect master of every idea that may arise in his brain, to dismiss it, to transmute it, to cause it instantly to obey his will.
2. Let him then begin exactly as before, but with the most intense solemnity and determination.
3. Let him be very careful to cause his imaginary body to rise in a line exactly perpendicular to the earth's tangent at the point where his physical body is situated (or to put it more simply, straight upwards).
4. Instead of stopping, let him continue to rise until fatigue almost overcomes him. If he should find that he has stopped without willing to do so, and that figures appear, let him at all costs rise above them. Yea, though his very life tremble on his lips, let him force his way upward and onward!
5. Let him continue in this so long as the breath of life is in him. Whatever threatens, whatever allures, though it were Typhon and all his hosts loosed from the pit and leagued against him, though it were from the very Throne of God Himself that a Voice issues bidding him stay and be content, let him struggle on, ever on.
6. At last there must come a moment when his whole {29} being is swallowed up in fatigue, overwhelmed by its own inertia.* * This in case of failure. The results of success are so many and wonderful that no effort is here made to describe them. They are classified, tentatively, in the "Herb Dangerous," Part II., infra. Let him sink (when no longer can he strive, though his tongue by bitten through with the effort and the blood gush from his nostrils) into the blackness of unconsciousness; and then, on coming to himself, let him write down soberly and accurately a record of all that hath occurred, yeah a record of all that hath occurred.
Liber O vel Manus et Sagittae sub figurâ VI
~Aleister Crowley~

visualize the Temple...opening and closing the temple...and especially Drawing down the LVX/Divine Light and circumambulating it around the space in the form of Osiris as active Hierophant/with the 10 point crowned Wand (astral)...I have continued to do it...as Hoor/Ouer/Horus the Elder-as Passive past Hierophant with the astral 12 pointed crown...






the Active Present Hierophant/Osiris will Draw down the LVX/Divine White Brilliance together-you charging with the Sephirotic energies of the 10 point crowned wand/the Passive past Hierophant/Hoor-Ouer as Horus the Elder will draw down the LVX/Divine White Brilliance with the Astrological energies of the 12 point crowned wand...Active Hierophant on the Temple side of the Veil of Paroketh-Passive Hierophant on the Dias side...and then the Active Hierophant will circumambulate the LVX in the astral temple...the Hierophant's wands held in Tau...the lowest section...
pg 60 Secrets to a GD Temple..."The Hierophant welds the wand by the Path of Tau-this symbolizes the active role he/she plays as a magnet for the Divine Light of Kether, attracting it through the Middle Pillar and bringing it into manifestation to Malkuth-(The Temple of the Neophyte) 0=0...
Modified pg 71-72...Secrets..."Circumambulate the Temple thrice with the Wand...then go to the position of the Hierophant in the East...Open the Veil so that BOTH Hierophants are facing each other...Passive/Active...Past/Present...Say "Let the White Brilliance of the Divine Spirit...descend upon this Temple (of Hemanubis) to fill it with splendor of Thy majesty, that forever it may be unto me an aid to aspire to the Great Work...Draw the Flaming Sword (with the Wand) in the East, take up the Banner of the EAST...step between the Pillars and say: "Behold, all ye powers and forces I have invoked. Take witness that I have duly opened this Temple (of Hermanubis) May it establish balance and harmony...and by the exaltation of my higher nature-may it assists me in my Path to the Light Divine...
A five-dimensional space is a space with five dimensions. If interpreted physically, that is one more than the usual three spatial dimensions and the fourth dimension of time used in relativitistic physics. It is an abstraction which occurs frequently in mathematics, where it is a legitimate construct.
therefore projecting the Astral Projection of the Physical Temple as a "legitimate construct"...
"The hyperstructures are algebraic structures equipped with at least one multi-valued operation, called a hyperoperation. The largest classes of the hyperstructures are the ones called Hv – structures."
SO- in this concept it is describing 'multi-valued' temples-one physical and one astral...with the ritual itself being a 'hyperoperation'.


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