Hyperstructure in
the 5th Dimension
Astral Temple of Hermanubis-
...the Astral
form of the Temple gradually expands to a 5th
dimensional hyperstructure by Netzach / Portal and then is actually used in the
2nd Order of the Temple
of Thelema
are you familiar
with this volume by Crowley Temple
of Thelema : they state: ...the Astral
form of the Temple gradually expands to a 5th
dimensional hyperstructure by Netzach / Portal and then is actually used in the
2nd Order of the Temple
of Thelema
V 1. Let the student be at rest in one of his prescribed
positions, having bathed and robed with the proper decorum. Let the place of
working be free from all disturbance, and let the preliminary purifications,
banishings and invocations be duly accomplished, and, lastly, let the incense
be kindled.
2. Let him imagine his own figure (preferably robed in the
proper magical garments and armed with the proper magical weapons) as
enveloping his physical body, or standing near to and in front of him.
3. Let him then transfer the seat of his consciousness to
that imagined figure; so that it may seem to him that he is seeing with its
eyes, and hearing with its ears. This will usually be the great difficulty of
the operation.
4. Let him then cause that imagined figure to rise in the
air to a great height above the earth.
5. Let him then stop and look about him. (It is sometimes
difficult to open the eyes.)
6. Probably he will see figures approaching him, or become
conscious of a landscape. Let him speak to such figures, and insist upon being
answered, using the proper pentagrams and signs, as previously taught.
7. Let him travel about at will, either with or without guidance
from such figure or figures. {27}
8. Let him further employ such special invocations as will
cause to appear the particular places he may wish to visit.
9. Let him beware of the thousand subtle attacks and
deceptions that he will experience, carefully testing the truth of all with
whom he speaks. Thus a hostile being may appear clothed with glory; the
appropriate pentagram will in such a case cause him to shrivel or decay.
10. Practice will make the student infinitely wary in these
matters.
11. It is usually quite easy to return to the body, but
should any difficulty arise, practice (again) will make the imagination
fertile. For example, one may create in thought a chariot of fire with white
horses, and command the charioteer to drive earthwards. It might be dangerous
to go too far, or to stay too long; for fatigue must be avoided. The danger
spoken of is that of fainting, or of obsession, or of loss of memory or other
mental faculty.
12. Finally, let the student cause his imagined body in
which he supposes himself to have been travelling to coincide with the
physical, tightening his muscles, drawing in his breath, and putting his
forefinger to his lips. Then let him “awake” by a well-defined act of will, and
soberly and accurately record his experiences. It may be added that this
apparently complicated experiment is perfectly easy to perform. It is best to
learn by “travelling” with a person already experienced in the matter. Two or
three experiments will suffice to render the student confident and even expert.
See also “The Seer”, pp. 295-333.
VI 1. The previous experiment has little value, and leads
to few results of importance. But it is susceptible of a development which
merges into a form of Dharana — concentration — and as such may lead to the
very highest ends. The principal use of the practice in the last chapter is to
familiarise the student with every kind of obstacle and every kind of delusion,
so that he may be perfect master of every idea that may arise in his brain, to
dismiss it, to transmute it, to cause it instantly to obey his will.
2. Let him then begin exactly as before, but with the most
intense solemnity and determination.
3. Let him be very careful to cause his imaginary body to
rise in a line exactly perpendicular to the earth's tangent at the point where
his physical body is situated (or to put it more simply, straight upwards).
4. Instead of stopping, let him continue to rise until
fatigue almost overcomes him. If he should find that he has stopped without
willing to do so, and that figures appear, let him at all costs rise above
them. Yea, though his very life tremble on his lips, let him force his way
upward and onward!
5. Let him continue in this so long as the breath of life
is in him. Whatever threatens, whatever allures, though it were Typhon and all
his hosts loosed from the pit and leagued against him, though it were from the
very Throne of God Himself that a Voice issues bidding him stay and be content,
let him struggle on, ever on.
6. At last there must come a moment when his whole {29}
being is swallowed up in fatigue, overwhelmed by its own inertia.* * This in
case of failure. The results of success are so many and wonderful that no
effort is here made to describe them. They are classified, tentatively, in the "Herb
Dangerous," Part II., infra. Let him sink (when no longer can he strive,
though his tongue by bitten through with the effort and the blood gush from his
nostrils) into the blackness of unconsciousness; and then, on coming to
himself, let him write down soberly and accurately a record of all that hath
occurred, yeah a record of all that hath occurred.
Liber O
vel Manus et Sagittae sub figurâ VI
~Aleister
Crowley~
visualize the Temple...opening and
closing the temple...and especially Drawing down the LVX/Divine Light and
circumambulating it around the space in the form of Osiris as active
Hierophant/with the 10 point crowned Wand (astral)...I have continued to do
it...as Hoor/Ouer/Horus the Elder-as Passive past Hierophant with the astral 12
pointed crown...
the
Active Present Hierophant/Osiris will Draw down the LVX/Divine White Brilliance
together-you charging with the Sephirotic energies of the 10 point crowned
wand/the Passive past Hierophant/Hoor-Ouer as Horus the Elder will draw down the
LVX/Divine White Brilliance with the Astrological energies of the 12 point
crowned wand...Active Hierophant on the Temple side of the Veil of Paroketh-Passive
Hierophant on the Dias side...and then the Active Hierophant will circumambulate
the LVX in the astral temple...the Hierophant's wands held in
Tau...the lowest section...
pg 60 Secrets to a GD
Temple..."The Hierophant welds the wand by the Path of Tau-this
symbolizes the active role he/she plays as a magnet for the Divine Light of
Kether, attracting it through the Middle Pillar and bringing it into
manifestation to Malkuth-(The Temple of the Neophyte) 0=0...
Modified pg
71-72...Secrets..."Circumambulate the Temple thrice with the Wand...then
go to the position of the Hierophant in the East...Open the Veil so that BOTH
Hierophants are facing each other...Passive/Active...Past/Present...Say
"Let the White Brilliance of the Divine Spirit...descend upon this Temple
(of Hemanubis) to fill it with splendor of Thy majesty, that forever it may be
unto me an aid to aspire to the Great Work...Draw the Flaming Sword (with the
Wand) in the East, take up the Banner of the EAST...step between the Pillars
and say: "Behold, all ye powers and forces I have invoked. Take witness
that I have duly opened this Temple
A five-dimensional space is a space with five dimensions.
If interpreted physically, that is one more than the usual three spatial dimensions and the fourth dimension of time
used in relativitistic physics. It is an abstraction which occurs frequently in
mathematics, where it is a legitimate construct.
therefore
projecting the Astral Projection of the Physical Temple
"The hyperstructures are algebraic structures equipped
with at least one multi-valued operation, called a hyperoperation. The largest
classes of the hyperstructures are the ones called Hv – structures."
SO- in this concept it is describing 'multi-valued' temples-one
physical and one astral...with the ritual itself being a 'hyperoperation'.
